23.3.22

Towards Baroque: Its Profile and Historical Context


Mariano Akerman, Towards Baroque: Its Profile and Historical Context
Bar Ilan University, 30.3.2022, 4-5:30 PM

Renaissance, Mannerism and Baroque

1. Michelangelo, Dome of San Pietro

2. Michelangelo: David

3. Bernini: David

4. Bernini: Colonnade, Piazza San Pietro

5. Bernini: Cathedra Petri

6. Velazquez: Adoration of the Magi

7. Parmigianino: Madonna della Rosa

8. Tintoretto: Miracle of the Slave

9. El Greco: Purification of the Temple

10. Velazquez: Flagellation

11. Caravaggio: Conversion on the Way to Damascus

12. Caravaggio: Martyrdom of St Matthew

13. Poussin: The Judgment of Solomon

Rigaud: Louis XIV of France

15. Titian: Charles V at Muehlberg

16. Rubens: The Three Graces

17. De Heem: Bouquet in a Glass Vase

18. Godfried Schalcken: Young Girl with a Candle

19. Pieter Claesz Still Life with Skull

20. Poussin: Et en Arcadia ego

Covarrubias, Emblemas Morales: Quotidie Morimur
Bk. II, Embl. IX QVOTIDIE MORIMUR

Covarrubias, Emblemas Morales: En la muerte esta la vida
Libro II, Embl. XLIII EN LA MUERTE ESTÁ LA VIDA

12.10.21

MODUS OPERANDI


1. A method of procedure.
2. A modus operandi is a particular way of doing something.
3. The way someone does something; a characteristic method.

Expresión latina que significa "modo de obrar" y se usa para referirse a la manera de proceder o al modo de en que se realiza algo.

Expression latine formée de "modus" (manière) et de "operandi" (d'opérer), elle désigne la manière de procéder ou la façon de construire une chose.


MODUS OPERANDI: HISTORIAN AND VISUAL ARTS
Idea and design: Mariano Akerman