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| Mariano Akerman, Towards Baroque: Its Profile and Historical Context Bar Ilan University, 30.3.2022, 4-5:30 PM |
Renaissance, Mannerism and Baroque
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| 1. Michelangelo, Dome of San Pietro |
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| 2. Michelangelo: David |
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| 3. Bernini: David |
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| 4. Bernini: Colonnade, Piazza San Pietro |
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| 5. Bernini: Cathedra Petri |
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| 6. Velazquez: Adoration of the Magi |
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| 7. Parmigianino: Madonna della Rosa |
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| 8. Tintoretto: Miracle of the Slave |
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| 9. El Greco: Purification of the Temple |
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| 10. Velazquez: Flagellation |
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| 11. Caravaggio: Conversion on the Way to Damascus |
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| 12. Caravaggio: Martyrdom of St Matthew |
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| 13. Poussin: The Judgment of Solomon |
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| Rigaud: Louis XIV of France |
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| 15. Titian: Charles V at Muehlberg |
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| 16. Rubens: The Three Graces |
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| 17. De Heem: Bouquet in a Glass Vase |
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| 18. Godfried Schalcken: Young Girl with a Candle |
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| 19. Pieter Claesz Still Life with Skull |
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| 20. Poussin: Et en Arcadia ego |
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| Covarrubias, Emblemas Morales: Quotidie Morimur Bk. II, Embl. IX QVOTIDIE MORIMUR |
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| Covarrubias, Emblemas Morales: En la muerte esta la vida Libro II, Embl. XLIII EN LA MUERTE ESTÁ LA VIDA |
