10.11.11

Gestalt Program: Comsats University

Photographs by Zainab Umar Rehman



Gestalt: Theory and Design in the Age of New Objectivity. A Series of Educational Lectures, October-November 2011

Romah Samuel



German embassy representative



Rich is always the educated individual.






Is society a cake and man an egg?





Collage involves Integration.

H@nnyi@ A_bid and Abeera Zahid





Creativity has to do mostly with Imagination.

Comparison: Pre-Bauhaus design vs. Bauhaus design





H@nniy@ A_bid, GR, Mariano Akerman, Saba Masur, Abeera Zahid



Can one bridge tradition and modernization?


Romah Samuel and friend

Swiss Deputy Head of Mission

Saba Mansur and H@nnyi@ A_bid

UNIVERSITY COMSATS: CONGRATS and EID MUBARAK




Saba Mansur, Mariano Akerman, Swiss representative, and H@nnyi@ A_bid


Gestalt Program Resources
The Gestalt Program ; Programa Educativo Gestalt
Islamabad, German Embassy in Islamabad, Integrated Whole, Experimentation and Identity, Gestalt: Theory and Design in the New Objectivity Age, 25.10.2011
Bridging Cultures
Islamabad, Deutsche Auslandsvertretungen in Pakistan, Integriertes Ganzes, Experimentieren und Identität, Gestalt: Theorie und Gestaltung im Zeitalter der neuen Sachlichkeit, 28.10.2011
Sara Mahmood, Mariano Akerman: Bridging Cultures, 28.9.2011
Ishrat Hyatt, Gestalt Programme Launching Event, International The News, 22 October 2011, City News, p. 19 (S).
"The Ambassador of Switzerland ... held Reception Lecture of the Gestalt Educational Program held by Architect Mariano Akerman," Diplomatic Focus, Pakistan, Vol. II, Issue 8-9, October-November 2011, p. 70, photographs by Shabbir Hussain.
SwissPak Association
Almas Haider Naqvi, "Other is the Same Side of the Picture," Dataline Islamabad, 22 October 2011, p. 4
Maqbool Malik, "Tradition meets Modernisation," The Nation, Pakistan, 24 October 2011
Pakistan Observer, 3.11.11
Gauhar Zahid Malik, Embassies of Switzerland and Germany present 'Gestalt': Theory and Design in the Age of New Objectivity, Fifteen Educational Lectures by Mariano Akerman, Architect and Art Historian, Pakistan Observer, Pakistan, 3.11.11, p. 9.
Mariano Akerman, A Visual History of Gestalt Theory, 8.11.11
_____. Gestalt Program Pics and Musings, 30.10.11
Ilona Yusuf, Enhancing Perception: The Gestalt Lectures and Collage Competition, Blue Chip Magazine, Issue 87, Volume 8, Islamabad, January-February 2012, pp. 16-19, ill.
Sara Mahmood, Mariano Akerman: Bridging Cultures, Blue Chip Magazine, Issue 87, Volume 8, Islamabad, January-February 2012, pp. 20-24, ill.

8.11.11

A Visual History of Gestalt Theory

by Mariano Akerman

"Between the Whole and the Parts" - A Digital Prints Series

Eye

Gestalt visual theory is the systematic study of perceptual organization pioneered by German psychologists the 1920s. The founding principle of Gestalt visual theory is that individual parts have different characteristics and values depending on how they are organized in space. Gestalt visual theory has been applied and expanded upon in many fields in the social sciences and humanities, particularly visual studies, literary theory, psychology and education. However, Gestalt visual theory is not only for theorists or visual artists. Anyone can use the basic principles of Gestalt theory in daily activities, such as making page layouts or taking photos (Jen Randall).

The Gestalt Theory of the Berlin School was one of the most significant advances in the history of psychology. By rethinking the mind as a holistic, interconnected entity, psychology was able to make significant steps in furthering understanding of the mind and treatment of psychological pathologies.

Old Watermark

Gestalt Theory has a long history in German literature and philosophy. Some scholars trace the theory as far back as Immanuel Kant and Goethe. Ernst Mach's Contributions to the Analysis of the Sensations is also a seminal text to refer to in order to understand Gestalt Theory and its origins.

Manual, p. 325

Group and Individual

Encyclopedia

Projection

In keeping with the global view of the mind, Gestalt Theory calls for a change in how psychological experiments are undertaken. Instead of looking at elemental components, Gestalt studies phenomena as a whole, focusing on real situations rather than controlled laboratory experiments.

Television

Primary Colors

Puzzle

Gestalt uses key principles to understand psychology and psychological phenomena. Most of these principles hold that human perception of objects occurs by perceiving objects as a whole and not by adding up their constituent parts to deduce the image or perceptual object. Gestalt Theory turns the old proverb "You can't see the forest for the trees" inside out: humans see the forest before they identify the trees.

Transmission

Print

New Watermark

Op Art

Interconnected

Art Now


¿A goblet or two profiles?

Resources: PhotoFunia ; How to Understand Gestalt Theory and How to Use the Gestalt Visual Theory, eHow.com, 8.11.11

Configurations inspired by the Gestalt Laws of Perceptual Organization

5.11.11

Gestalt: Theorie und Gestaltung im Zeitalter der neuen Sachlichkeit


Kulturelle Beziehungen

"Integriertes Ganzes, Experimentieren und Identität"

Das Programm "GESTALT" wurde speziell für eine pakistanische Zuhörerschaft entwickelt. Es ist eine Möglichkeit, Erfahrungen zu teilen und die Beziehung zwischen Tradition und Moderne neu zu überdenken. Dabei wird der Beitrag der Kunst aus der Schweiz auf dem Gebiet der Theorie und der Gestaltung einbezogen.

Mehr als 2500 Schüler und Studenten sind eingeladen, beim Programm "GESTALT" mitzuwirken.

Die Theorie der Gestaltung und das Bauhaus-Design sind zwei wichtige Aspekte, die in dieser Serie von fünfzehn Vorlesungen und Workshops erforscht werden sollen. Figur und Hintergrund, Zufall und Absicht, Form und Funktion, das Rationale und das Irrationale, Verdrängung und Ausdruck sind einige der zahlreichen Themen, die das Programm "GESTALT" erörtert. Dabei wird die moderne Idee von Form und Funktion untersucht, die in einer einzigen Gestaltung wirkungsvoll integriert ist.

Dies betrifft Wissenszweige wie die Kunst und die visuelle Kommunikation, aber auch verschiedene Arten anderer "Sprachen". Doch beim genauen Hinsehen wird man entdecken, dass die Modernität nicht nur auf Funktionalität und gesunden Menschenverstand beruht. Es kann auch unerwartete Eigenschaften einschließen. Ist Zierde ein Verbrechen ? Traditon wird gewöhnlich mit Identität assoziiert. Aber können Abstraktion und Massenproduktion sie bieten ? Und was ist der gemeinsame, ultimative Daseinszweck hinter den Werken von deutschen und schweizerischen Schöpfern so verschiedenartig wie Gropius, Alberto Giacometti, Arp, Le Corbusier, Meret Oppenheim, Johannes Itten, Mies van der Rohe, Paul Klee und Max Ernst ?

Eine mögliche Antwort liegt genau in den Zwanzigerjahren des letzten Jahrhunders, als solche erfinderischen Künstler uns das Beste moderner Kunst bescherten. Das Programm "GESTALT" folgt mit seinem wahrhaft experimentellen Charakter ihrem Beispiel, in dessen Rahmen ein Collagen-Wettbewerb mit vielen attraktiven Preisen stattfindet. Dieses Programm möchte Sichtweisen eröffnen, wie sie in den Errungenschaften von Kulturen sichtbar sind, die geographisch und historisch weit von Pakistan entfernt sind. Damit soll die Leistungsgfähigkeit und der Erfindergeist vor Ort angeregt werden, ohne die Individualität althergebrachter Traditionen abzuweisen.


Mariano Akerman - Maler und Kunsthistoriker

In Buenos Aires 1963 geboren, studierte Mariano Akerman an der "School of Architecture of Universidad de Belgrano" (Argentinien). Für seine Abschlussarbeit zum Thema "Limits and Space in Modern Architecture" (1987) wurde Akerman ausgezeichnet. Seit 1991 lebt er im Ausland und erforschte die Gemälde von Francis Bacon und die Architekturprojekte von Louis Kahn.

Bei seinen Aufenthalten in Asien entwickelte Akerman die Konferenzreihen "In the Spirit of Linnaeus" (2007), "Discovering Belgian Art and Raisons d’être: Art, Freedom and Modernity" (2008-10) und "German Art" (2010).

Akerman hat sich auf visuelle Kommunikation spezialisiert und ist ein erfahrener Pädagoge. Er hielt Vorlesungen über moderne Kunst bei renommierten Institutionen wie dem "Museo Nacional de Bellas Artes" in Buenos Aires, dem "National Museum of the Philippines" in Manila, der "University of Modern Languages" in Islamabad und dem "National College of Arts" und "Beaconhouse University" in Lahore.

Mariano Akerman ist selbst praktizierender Maler und stellt seine Bilder, Zeichnungen und Kollagen seit 1979 aus. Er wurde mit mindestens 12 internationalen Kunstpreisen ausgezeichnet und seine Werke sind u.a. im "Musée National d’Art Moderne", "Centre Georges Pompidou", in Paris, und beim "Statenkonstråd" (National Public Art Council of Sweden) in Stockholm ausgestellt.

Andreas Dauth, Programm Gestalt, Deutsche Auslands- vertretungen in Pakistan, 2011
http://www.pakistan.diplo.de/Vertretung/pakistan/de/01a__Bilaterale-Beziehungen/KU/Akerman__Kunstvortragsreihe__2011__Seite.html (15.3.2012)


3.11.11

A Reason for Celebration


Gauhar Zahid Malik, "Embassies of Switzerland and Germany present 'Gestalt': Theory and Design in the Age of New Objectivity, Fifteen Educational Lectures by Mariano Akerman, Architect and Art Historian," Pakistan Observer, Pakistan, 3 November 2011, Twin Cities, p. 9

Pakistan Observer, 3 November 2011, p. 9

ISLAMABAD - Embassies of Switzerland and Germany have jointly arranged fifteen educational lectures by Mariano Akerman, architect and art historian.
One lecture was held at the Swiss embassy while others in various educational institutions of the twin cities.
The Gestalt Program, topic of the lectures, has been conceived especially for Pakistani audiences. Focusing on the Swiss-German contribution to theory and design in the 1920s, the Program aims at sharing experience and reconsidering the interplay between tradition and modernization.
Over 2500 students have been invited to participate in the Gestalt Program.
Gestalt theory and Bauhaus design are two of the important themes to be explored in this cycle of fifteen lectures, training sessions, and workshops conceived by Mariano Akerman. Figure and ground, chance and intention, form and function, the rational and the irrational, repression and expression are discussed in the Program, which reconsiders the modern idea of form and function integrated in a single, effective whole.
Yet, significantly, close observation may reveal that modernity is not only based on functionality and common sense, as it may present surprises too. Besides, is ornament a crime? Tradition has often associated it with identity. Can abstraction and mass-produced fabrications provide it? And what is the common raison d'être supporting the work of German-Swiss creators so diverse as Walter Gropius, Arp, Alberto Giacometti, Le Corbusier, Meret Oppenheim, Mies van der Rohe, Johannes Itten, Paul Klee, and Max Ernst?
A possible answer could be experimentation. And during the 1920s those and other art researchers provided us with admirable, fully modern creations. Inspired by their experimental approach and including a full-of-prizes collage contest, the Gestalt Program aims to open a window towards the achievements of relatively distant cultures, stimulating local productivity and inventiveness, without rejecting identities or traditions.
"One of the good things about life in Islamabad these days is the sparkling presence of Mariano Akerman", one art lover said [...]. "Combining a formidable knowledge of the art canon with his exceptional skills as a teacher, the Argentinean painter and art historian Mariano Akerman has an unusual capacity to enthrall his audience. One of a rare breed, he is a scholar who delights as much as he informs. Presenting German art to a lay audience and holding them spellbound for two hours is one proof. Another is the enthusiastic response of Pakistani student audiences to the opportunity Mariano provides for them to probe their own artistic heritage and its relationship to the art of other civilizations. Building bridges between cultures — between east and west, between scholar and layman — he describes as his vocation.
Earlier this year in Islamabad, Mariano delivered a series of twenty-one lectures to a group of adult enthusiasts eager to deepen their understanding of the visual arts. Beginning at the beginning with how to appreciate a work of art, the series moved on to trace unexpected themes and linkages that brought the art canon to life in new ways. Here is the testimony of one participant to Mariano’s teaching style and breadth of perspective:
Some of the topics are quirky areas of art appreciation I had never considered, but all are stimulating. It is particularly interesting to be drawn into discussions during these lectures rather than simply taking part in a dry question and answer formula.
Communicating his ideas about art to those interested in learning is described by Mariano as fulfilling his need to balance the independent views of the scholar with the human impulse to share."

Mariano Akerman, Memory, collage, 2009
The composition has been reproduced by the Pakistan Observer today

Additional Resources
The Gestalt Program ; Programa Educativo Gestalt
Islamabad, German Embassy in Islamabad, Integrated Whole, Experimentation and Identity, Gestalt: Theory and Design in the New Objectivity Age, 25.10.2011
Bridging Cultures
Islamabad, Deutsche Auslandsvertretungen in Pakistan, Integriertes Ganzes, Experimentieren und Identität, Gestalt: Theorie und Gestaltung im Zeitalter der neuen Sachlichkeit, 28.10.2011
Sara Mahmood, Mariano Akerman: Bridging Cultures, 28.9.2011
Ishrat Hyatt, Gestalt Programme Launching Event, International The News, 22 October 2011, City News, p. 19 (S).
"The Ambassador of Switzerland ... held Reception Lecture of the Gestalt Educational Program held by Architect Mariano Akerman," Diplomatic Focus, Pakistan, Vol. II, Issue 8-9, October-November 2011, p. 70, photographs by Shabbir Hussain.
Almas Haider Naqvi, "Other is the Same Side of the Picture," Dataline Islamabad, 22 October 2011, p. 4
Maqbool Malik, "Tradition meets Modernisation," The Nation, Pakistan, 24 October 2011
SwissPak Association
Gauhar Zahid Malik, Theory and Design in the Age of New Objectivity, Pakistan Observer Online, 3 November 2011
Ilona Yusuf, Enhancing Perception: The Gestalt Lectures and Collage Competition, Blue Chip Magazine, Issue 87, Volume 8, Islamabad, January-February 2012, pp. 16-19, ill.
Sara Mahmood, Mariano Akerman: Bridging Cultures, Blue Chip Magazine, Issue 87, Volume 8, Islamabad, January-February 2012, pp. 20-24, ill.